In collaboration with photographer Philip Pocock, I developed a conceptual and poetic framing for the exhibition “Bed Views”, held at Utopie Berlin (January–February 2025). The project introduces the notion of ‘photographic scripture’—a curatorial and textual strategy to read photography not as fixed image, but as inscription by light. The exhibition reflects on dormancy, perception, and the spectral agency of the image, activating a layered dialogue between image and text.

My contribution consisted of exhibition texts, didactic panels (five-part series), spatial conceptualization, and curatorial co-direction. The work builds on notions such as the predatory formation, the photographic knot, and the anasemic script.